Michelangelo’s David, reimagined.
Half his face rendered in halftone dots, like a newspaper print, while the composition is framed with printer’s codes, bleed margins, and alignment marks.
A mix of classical form, digital process, and print language - old and new colliding on the page.
Michelangelo’s David, reimagined.
Half his face rendered in halftone dots, like a newspaper print, while the composition is framed with printer’s codes, bleed margins, and alignment marks.
A mix of classical form, digital process, and print language - old and new colliding on the page.
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